Color, oil paint, is the main issue in my art. Color as a matter that can be sculpted, shaped, engraved and shoveled. In most of my paintings  color is strong and dominant, while line and composition – though not neglected – are secondary.

In addition to canvas, I often paint on old books, bibles, art books, monetarynotes, accountbooks, comics, etc. I'm intrigued by text, print and painting relations. Perhaps because I was a bookworm as a child, I enjoy erasing words with paint. A kind of renewed self-definition.

 

Being a 20th century product, realism, modernism, and abstract are my points of reference, and the periods that influenced and shaped me. I create from an internal place, but the traditions of art and their history are familiar to me and presence clearly in my background. Art cannot be created in a vacuum.

 

At first, my paintings were figurative. The bible and mythology were the subjects that interested me the most. Furthermore, I drew from observation. In the past few years, I've become more absorbed in the abstract. Basic forms intrigue me, I keep reverting to them obsessively and never quench. The free play and the relations between shapes and  colors are what I relish. Nevertheless, I never really stopped figurative practice.

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I enjoy creating series. They release me from the need to decide What to draw and let me concentrate and work solely on the How. I go back again and again to a certain form or composition and explore it thoroughly. 

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When I work, I'm surprised by the gap between intention and outcome, the produce of the matter's will, objection and point of view. In some  moments, when the action streams off effortlessly, I feel myself become a mere instrument; I'm only a tube, or an insignificant mediator. These are rare moments of exaltation.